El silogismo práctico o razonamiento de la acción (EN VI, 12, 1144ª 31, “oigar sillogismoi tvn praktvn”) es presentado por muchos estudiososde la obra aristotélica como un esquema de explicación, que intenta darcuenta del movimiento que realiza el alma humana desde el apetito o deseopuro hasta la acción concreta. El punto de vista que aquí se argumentapuede ser presentado en dos tesis articuladas: 1) el razonamiento prácticono es un silogismo, comprende muchos más aspectos que son irreductiblesa la estructura formal de (...) un silogismo perfecto; 2) el silogismo práctico sebasa sobre todo en razonamientos retórico-dialécticos, bien sea un entimema,un paradigma, o un epiquerema; es un proceso discursivo de deliberacióncon silogismos imperfectos o cadenas de silogismos probables que orientanla deliberación a manera de sorites e inducciones retóricas. No se trata deuna demostración sobre cosas que son necesariamente y no pueden ser deotra forma, sino que se trata de lo posible y contingente, aquello que puedeo no puede ser, puesto que sólo se delibera sobre lo posible y esto se hacecon opiniones probables. Corresponde entonces a la retórica y la dialécticarazonar con este tipo de premisas. La regla de conducta en un silogismo práctico utiliza como premisa una opinión generalmente aceptada (a manerade hipótesis o conjetura), cuya aplicación al caso particular es contingente ysu resultado, la acción, también lo es, ya que puede ser o no realizada. Laacción como consecuencia del razonamiento desborda el marco lógico formaldel silogismo. (shrink)

Mi propósito central es evidenciar el rol fundamental de la noción de posibilidad en la consolidación y formulación del Pragmaticismo de Ch. S. Peirce. Ciertamente el Pragmaticismo es un intento de Peirce por establecer la diferencia específica de su propia concepción del pragmatismo y un esfuerzo por ofrecer una adecuada interpretación de su formulación inicial de la máxima pragmática. Los intentos de Peirce por caracterizar su concepción pragmática y sus reformulaciones e interpretaciones de la máxima pragmática se desarrollaron en el (...) tiempo durante un periodo de más de cuatro décadas y presentan una serie de variaciones. Intentaré ofrecer evidencia que permita ampliar la comprensión sobre el llamado “Peirce’s modal shift”, a fin de mostrar en qué sentido la noción de posibilidad real desarrollada por Peirce produjo una transformación en su concepción modal y cómo éste cambio se refleja en la formulación definitiva del Pragmaticismo. (shrink)

Este artículo presenta los resultados obtenidos a través del uso de herramientas informáticas (Provalis Research), también conocidas como CAQDAS (Computer Assisted Qualitative Data Analysis Software), para el análisis de los escritos de Peirce, las bases estadísticas de una cronología para su último periodo intelectual y la justificación de una posible periodización del Pragmaticismo, además de la descripción de ciertos descubrimientos realizados en nuestro trabajo de archivo sobre los documentos y manuscritos originales de Peirce. Este trabajo es una parte de nuestra (...) investigación en la Universidad de Quebec en Montreal (UQAM) y la Biblioteca Houghton de la Universidad de Harvard. (shrink)

François Latraverse Profesor Asociado del Departamento de Filosofía de l’Université du Québec à Montréal (UQAM). PhD. en Filosofía de la Sorbona (Paris I) y DEA en Linguística (Aix-en-Provence). Sus temas de interés son, entre otros, la Filosofía del Lenguaje, la Semiótica Filosófica, Historia de las Teorías del Signo, Pragmatismo, Wittgenstein y Peirce. En el año 1996 constituyó el Grupo de Investigación Peirce-Wittgenstein. Hace parte y dirige el Projet d’édition Peirce (UQAM), responsable de la producción del volumen 7 de los Writings (...) of Charles S. Peirce : A Chronological Edition (Indiana University Press), consagrado a los textos que C. S. Peirce elaboró para el Century Dictionary & Cyclopedia. Es autor de varias traducciones como: Fondements de la théorie des signes de Charles Morris (RS-SI), el Tractatus logico-philosophicus de L. Wittgenstein y Correspondance, rencontres, souvenirs de L. Wittgenstein et P. Engelmann (2010). Algunos de sus trabajos publicados son: La pragmatique: histoire et critique, Bruxelles, 1987; Peirce, Wittgenstein et le pragmatisme. Paris: L’Harmattan; «Signe, proposition, situation : éléments pour une lecture du Tractatus logico-philosophicus». Revue internationale de philosophie, vol. 56, no. 219, p. 125-140; (2000) «L’institution du signe: remarques sur la sémiotique de Port-Royal». RS/SI, vol. 20, no. 1-3; (1998) «Locke et le retournement sémantique», Sémiotiques, no. 14, p. 19-30. (shrink)

En este artículo se sostiene que existe una primacía de la práctica y la acción sobre el conocimiento intelectual y la contemplación. Si esta tesis fuese falsa, no resulta comprensible por qué la prudencia y el hombre prudente son la virtud suprema y el modelo de la vida buena en Aristóteles. La cuestión inicial es 1) ¿Cómo entender la racionalidad del deseo o qué significa deseo razonado?, y esto implica dos cuestiones adicionales: 2) ¿Qué es el silogismo práctico y qué (...) relación tiene con la recta razón? y 3) ¿cuál es la relación entre el razonamiento práctico, la prudencia y el hombre prudente? Estas cuestiones son analizadas para establecer algunas de las semejanzas y diferencias entre el silogismo práctico , los diversos tipos de inferencias prácticas y otros tipos de razonamientos, tratando de mostrar la relación que existe entre la formación del carácter o modo de ser, la recta razón y el silogismo práctico. (shrink)

El equilibro reflexivo ideado por John Rawls ha sido utilizado con frecuencia en la investigación ética a partir de textos literarios. En este trabajo ponemos a prueba el método rawlsiano en la lectura de la utopía socialista de Edward Bellamy, expresada en Looking Backward 2000-1887 (1888) e Equality (1897), sin desconocer la existencia de enfoques alternativos como el equilibrio perceptivo. En primer lugar, mostramos la operación del equilibrio estrecho y del equilibrio amplio en el itinerario del protagonista: Julian West. (...) Segundo, tras presentar el mecanismo rawlsiano para el desarrollo institucional, examinamos cómo en la etapa judicial –ejemplificada por la escena del juicio en El Mercader de Venecia– se verifican las tres formas del equilibro reflexivo. Por último, analizamos cómo Bellamy emplea esta misma escena para ilustrar los principios básicos de la sociedad igualitaria y su correspondencia con las formas de equilibrio reflexivo. (shrink)

Después de discutir diversas hipótesis acerca de la especificidad de la poesía, se reivindican sus posibilidades relativas a la expresión de lo paradójico. Ello se ejemplifica en cuatro poemas del libro La línea del tiempo de Luis Fernando Macías. Y a partir de la estructura paradójica del tiempo se realizan algunas consideraciones relativas a la condición paradójica de la existencia y a los orígenes del conflicto trágico.

El presente trabajo tiene como objetivo exponer una parte de la investigación “Historia Cultural de la Prensa en Colombia (1810-1820)” que realizó un análisis léxico métrico a seis periódicos de la época. Este ensayo trata sobre la reflexión que se hacía en torno a la problemática del gobierno en la Nueva Granada durante las invasiones napoleónicas. Es una coyuntura caracterizada por un vacío de poder en las colonias debido a la abdicación y posterior arresto del rey Fernando VII. La (...) discusión escenificada en los periódicos muestra la fragmentación ideológica de los ilustrados neogranadinos y las luchas de significación con respecto a la forma de gobierno, la lealtad al rey y la legitimidad de la independencia. (shrink)

Ian Rumfitt (2000) developed a bilateralist account of logic in which the meaning of the connectives is given by conditions on asserted and rejected sentences. An additional set of inference rules, the coordination principles, determines the interaction of assertion and rejection. Fernando Ferreira (2008) found this account defective, as Rumfitt must state the coordination principles for arbitrary complex sentences. Rumfitt (2008) has a reply, but we argue that the problem runs deeper than he acknowledges and is in fact related (...) to the challenge of establishing proof-theoretic harmony. We motivate a distinctively bilateral criterion for harmony and show how the bilateralist can meet it. This also resolves Ferreira's complaint. (shrink)

This book, the first comprehensive study in English of Heidegger's philosophy of art, starts in the mid-1930s with Heidegger's discussion of the Greek temple and his Hegelian declaration that a great artwork gathers together an entire culture in affirmative celebration of its foundational 'truth', and that, by this criterion, art in modernity is 'dead'. His subsequent work on Hölderlin, whom he later identified as the decisive influence on his mature philosophy, led him into a passionate engagement with the art of (...) Rilke, Ce;zanne, Klee and Zen Buddhism, liberating him not only from the overly restrictive conception of art of the mid-1930s but also from the disastrous politics of the period. Drawing on material hitherto unknown in the anglophone world, Young establishes a new account of Heidegger's philosophy of art and shows that his famous essay 'The Origin of the Work of Art' is its beginning, not its end. (shrink)

Arthur Schopenhauer was one of the greatest writers and German philosophers of the nineteenth century. His work influenced figures as diverse as Wagner, Freud and Nietzsche. Best known as a pessimist, he was one of the few philosophers read and admired by Wittgenstein. In this comprehensive introduction, Julian Young covers all the main aspects of Schopenhauer's philosophy. Beginning with an overview of Schopenhauer's life and work, he introduces the central aspects of his metaphysics fundamental to understanding his work as (...) a whole: his philosophical idealism and debt to the philosophy of Kant; his attempt to answer the question of what the world is; his account of science; and in particular his idea that 'will' is the essence of all things. Julian Young then introduces and assesses Schopenhauer's aesthetics, which occupy a central place in his philosophy. He carefully examines Schopenhauer's theories of the sublime, artistic genius and music, before assessing his ethics of compassion, his arguments for pessimism and his account of 'salvation'. In the final chapter, he considers Schopenhauer's legacy and his influence on the thought of Nietzsche and Wittgenstein, making this an ideal starting point for those coming to Schopenhauer for the first time. (shrink)

This is the first book-length study to explore the relationship between archaeology and modern thought, showing how philosophical ideas that developed in the seventeenth to nineteenth centuries still dominate our approach to the material remains of ancient societies. It discusses the modern emphasis on method rather than ethics or meaning, our understanding of change in history and nature, the role of the nation-state in forming our views of the past, and contemporary notions of human individuality, the mind, and materiality. (...) class='Hi'>Julian Thomas also addresses the modern preoccupation with depth, which enables archaeology to be used as a metaphor in other disciplines. The book concludes by advocating a "counter-modern" archaeology that refuses to separate material evidence from political, moral, rhetorical, and aesthetic concerns, as well as meaning. (shrink)

Aristotle argued that you need some wealth to live well. The Stoics argued that you could live well with or without wealth. But the Cynics argued that wealth is a hinderance. For the Cynics, a good life consists in self-sufficiency, or being able to rule and help yourself. You accomplish this by living simply and naturally, and by subjecting yourself to rigorous philosophical exercises. Cynics confronted people to get them to abandon extraneous possessions and positions of power to live better. (...) And while the Cynics were experts in living in this way, their ascetic lifestyles made their message curious to some audiences. This paper reflects on Cynic ascetic practices and the ways others perceived them. (shrink)

When considering the value of friendship, most philosophers ignore the negatives. Most assume that humans need friends to flourish, and some argue that friendships can be good, no matter the risks entailed. This makes conversations about the value of friendship one-sided. Here, I argue that Cynics and Pessimists have an important view on friendship, despite it being ignored. They hold that: (a) friendship is unnecessary for flourishing, and (b) friendship presents ethical risks, especially to one’s own self-sufficiency. I defend these (...) views. Then I conclude with reflections on why Cynics and Pessimists actually make great friends. By helping people to focus on vulgar human nature and the flaws that humans have, they create an unpretentious basis for friendship. (shrink)

This is a clear and lucid account of Nietzsche's philosophy of art, combining exegesis, interpretation and criticism in a judicious balance. Julian Young argues that Nietzsche's thought about art can only be understood in the context of his wider philosophy. In particular, he discusses the dramatic changes in Nietzschean aesthetics against the background of the celebrated themes of the death of God, eternal recurrence, and the idea of the Übermensch. Young then divides Nietzsche's career and his philosophy of art (...) into four distinct phases, but suggests that these phases describe a circle. An attempt at world-affirmation is made in the central phases, but Nietzsche is predominantly influenced at the beginning and end of his career by a Schopenhauerian pessimism. At the beginning and end art is important because it 'redeems' us from life. (shrink)

This is a clear and lucid account of Nietzsche's philosophy of art, combining exegesis, interpretation and criticism in a judicious balance. Julian Young argues that Nietzsche's thought about art can only be understood in the context of his wider philosophy. In particular, he discusses the dramatic changes in Nietzschean aesthetics against the background of the celebrated themes of the death of God, eternal recurrence, and the idea of the Übermensch. Young then divides Nietzsche's career and his philosophy of art (...) into four distinct phases, but suggests that these phases describe a circle. An attempt at world-affirmation is made in the central phases, but Nietzsche is predominantly influenced at the beginning and end of his career by a Schopenhauerian pessimism. At the beginning and end art is important because it 'redeems' us from life. (shrink)

This groundbreaking work considers one of the central themes of archaeology, time, which until recently has been taken for granted. It considers how time is used and perceived by archaeology and also how time influences the construction of identities. The book presents case studies, eg, transition from hunter gather to farming in early Neolithic, to examine temporality and identity. Drawing upon the work of Martin Heidegger, Thomas develops a way of writing about the past in which time is seenm as (...) central to the emergence of the identities of peoples and things. He questions the modern western distinction between nature and culture, mind and body, object and subject, and argues that in some senses the temporal structure of human beings, artefacts and places are similar. (shrink)

This paper does two things. First, it interprets the work of W. E. B. Du Bois to reveal that the meanings of race terms are grounded by both a historical and an aspirational component. Race terms refer to a backward-looking component that traces the history of the group to its present time, as well as a forward-looking component that sets out values and goals for the group. Race terms thus refer to a complex cluster of concepts that involve biological, sociological, (...) historical, moral, and political properties. Second, the paper defends W. E. B. Du Bois’s conservationist thesis about races, which holds that we should maintain race talk and racial distinctions. But instead of offering philosophical evidence, this paper defends the plausibility of the conservationist thesis with evidence from contemporary biology and psychology. It argues that, instead of eliminating race terms or concepts, we should conserve and revise them. (shrink)

A partir del reconocimiento de problemas curriculares y pedagógicos que presentan instituciones educativas observadas en la ciudad de Bogotá, se da a conocer la justificación y la trascendencia de la educación intercultural y su correspondiente pedagogía diferenciada para abordar problemas de calidad, integración, participación, pertinencia y democratización de dichas escuelas.

Commentary, with text, of the Samādhi pāda, the first part of the Yogasūtra of Patañjali.

El objetivo de este texto es determinar las formas como se ha constituido el campo de la educación en Colombia, en el plano epistemológico. A partir de la identificación de sus principales discontinuidades y rupturas en una perspectiva que privilegia el análisis historiográfico, reflexiono sobre las definiciones que ofrece la categoría de campo, las tendencias investigativas a nivel local y los diversos desdoblamientos epistemológicos que han delineado su devenir como campo de estudio en el contexto nacional. De este modo, propongo (...) la construcción de una suerte de topografía del campo educativo que de luces sobre sus nuevos horizontes de sentido. (shrink)

In Occasional Deconstructions, Julian Wolfreys challenges the notion that deconstruction is a critical methodology, offering instead a number of reintroductions or reorientations to the texts of Jacques Derrida and the idea or possibility of deconstructions. Proceeding from specific readings of various texts (both film and literary), as well as mobilizing a number of issues from Derrida's recent work surrounding questions of ethics, politics, and identity, Wolfreys considers the role of deconstruction in broader academic and institutional contexts, and questions whether, (...) in fact, deconstruction can be called upon to function as theory at all. In this book, Wolfreys suggests that the patient, necessary work of reading, in which response and responsibility to the other has a chance to manifest itself, is necessary to the always political and ethical tracing of the material and the historical. He also contends that reading should be an encounter that gives place to an acknowledgment of the other, and that this singular act by which one is introduced to the other can never be programmed. (shrink)

EDITORS' INTRODUCTION B he Vedas tell of a conversation between a young man, Shvetaketu, and his father concerning what the son had learned in his education ...